The Aputure V-Mic D2 is the successor to – you guessed it – the Aputure V-Mic D1. It’s a compact, lightweight, mono shotgun mic for use on top of a camera or camcorder in place of an internal mic.

Aputure V-Mic D2 box contents exc windjammer
Aputure V-Mic D2 box contents exc windjammer

It comes supplied with a furry windshield, two triple-A batteries, a cable from the mic to its base as well as a cable from the base to your camera, and some instructions.┬áThe mic itself is around 19 centimetres long – that’s about 7 and a half inches – and also has a standard foam popshield and a rubberised suspension mount on top of a base unit.

The two batteries slot into the back of the mic and Aputure claim 100 hours run time. Being battery powered is good news for anyone whose camera doesn’t supply power via the mic jack which includes some Canon camcorders as it means the Aputure will still work with these.

Aputure V-Mic D2 takes 2 AAA cells
Aputure V-Mic D2 takes 2 AAA cells

The supplied mini USB cable plugs into the side of the mic and down to the base unit, then the output from that runs on a standard 3.5 mil jack to your camcorder.┬áUnusually, the base unit boasts an internal pre-amplifier with a control knob on the side to adjust its sensitivity, along with two calibration LEDs – one for minus 12 and one for overload.

And one of this mic’s key selling points is a calibration feature whereby you flick a switch on the base and it sends a full-scale beeping pulse to your camcorder. You adjust your camcorder’s recording volume against this so that the meters are just hitting maximum; then you can simply use the knob on the microphone to adjust volume rather than having to mess about in any fiddly menus on your camera or camcorder.

Aputure V-Mic D2 preamp with LEDs
Aputure V-Mic D2 preamp with LEDs

In theory the V-Mic’s pre-amp will be quieter and better than the one in a camera – probably less so a camcorder – but we’ll come back to that in a second.┬áAputure are pitching the V-Mic D2 firmly against Rode’s VideoMic Pro which is an ambitious target as the Pro is so popular but costs about fifty percent more┬áthan┬áthe V-Mic (┬ú125 vs ┬ú80).

So, what does the V-Mic sound like? The video above includes test recordings against the two Rode offerings, including male and female speech; some silence, to hear the inherent noise in the mics; and some music.

We also tested the included windjammer which provided a reasonably effective barrier against the wind even in a strong gale albeit at the expense of some high-frequency response which a much more expensive windjammer (a Softie from Rycote) was able to permit through. Since the Rycote alone costs as much as the entire V-Mic D2, we think the included windjammer was pretty decent all things considered.

Aputure V-Mic D2 windjammer being tested
Aputure V-Mic D2 windjammer being tested

So, conclusions then – is this new mic worth your money? Well it’s good value in the sense that you get a lot in the box for very little money including the mic, the windshield, cables and batteries so it’s a complete package. To our ears, the V-Mic D2 certainly sounds very similar to the offerings from Rode – particularly in the piano example in the video, as we switched between mics, it was hard to discern any difference.

Aputure V-Mic D2 size comparison with Rode mics
Aputure V-Mic D2 (top) size comparison with Rode Videomic Pro (left) and Videomic GO (right)

There are however two caveats on the V-Mic D2. The first is that, like the Rode Videomic GO, the V-Mic D2 appears to be susceptible to picking up stray electronic noise such as the weird glitches and beeps you get from a mobile phone when it’s transmitting back to the cell tower. You could hear this effect at the start of the piano recording (again, in the video above).

Secondly, the inherent self-noise of the V-Mic (the whooshing electrical shhhh-ing that all analogue electronics make to some extent) is slightly louder than the Rode Videomic Pro. It’s not hugely loud but it is audible especially if you’re a nit-picking audio critic – which we are. This means that if you’re trying to record selfie vlogs in a quiet room, this probably isn’t the mic for you but if you’re┬áin a loud environment where there’s a general┬áhubbub, that self noise will be entirely masked and hidden by the sounds around you.

As always we recommend wearing headphones when recording so that you can monitor exactly what’s being picked up by the mic and that way you’ll know if it’s catching stray phone signals or if the self-noise is audible above what you’re filming.

Frankly for ┬ú80 you can’t expect┬ástudio-grade audio out of the V-Mic D2 and for the price it does a reasonable job – almost certainly better than an inbuilt microphone on a camera or camcorder. At the very least it should give you a clear sync track┬áwhen recording audio separately (for syncing in an edit); at best it will do a reasonable job of┬ácapturing useable sound for YouTube videos and the like.

If you’d like to buy any of the mics featured in this review, we’d be very grateful if you’d do so via our Amazon links as that provides us a small commission to keep the website going. The links are:

Aputure V-Mic D2:

Rode Videomic Pro:

Rode Videmic GO:

Rycote Softie:

Sony MDR-7506 headphones:

Sennheiser HD-25 headphones:

10 thought on “Video Review: Aputure V-Mic D2 shotgun microphone”
  1. I have a Canon G25 Camera which I beleive is stereo output via the on-board microphone. I have been looking at the Aputure Vmic D2 and I notice it is Mono. That being the case is there much point in getting the D2?

    1. It depends what you’re filming. If you’re just “vlogging” then, since your voice is mono, is doesn’t matter a jot if you use a mono mic, and the D2 will certainly provide better sound than the onboard microphones (as indeed almost any external mic will). If however you are shooting nature or something where the stereo soundfield is an integral part of the finished video then you’d be better off looking for a stereo top-mic. Don’t use the internal mics if at all possible though, all camcorder onboard mics are terrible!

  2. Hi, and thanks for the info I have to admit I do like the look of the D2 are there any stereo top mics you could recomend? I have tried looking for spec info on the G25’s external mic input but todate I am unable to find anything just wondering if it was a stereo or mono input…. if the later well then I would purchase the D2 for sure.

    1. The G25 has a stereo mic input – it would be a most unusual camcorder that didn’t. You haven’t told me what it is you’re wanting to film, which could help shape some advice for you.

  3. Thanks for all the advice, it is very helpful. Its a mixture of both interviews and outside shooting/city life/railways. If I record sound from the D2 Mic and then down load the footage onto Adobe Elements would I see the sound on one audio track and not the two?

    1. Interviews of course are mono so the mic will be fine (although in all cases, it’s better not to use camera-top mics for interview audio as they tend to be somewhat distant from your subject unless you put them smack in front of the camera). You may wish for a stereo mic for your outside shots though.

      The mono output from the D2 is sent to both sides of the stereo minijack so you should see it on both tracks in the editor, effectively two copies of the same thing.

  4. Many thanks for that info…. Yes I thought that might be the case with the D2 within the editor. Probably purchase this mic from your link on the page. Once again thanks for your time.

  5. Hi!

    I bought the same microphone a day ago and when i received and set it up, I couldn’t get it to capture sound properly.
    I have to boost the sensitivity on both the microphone and camera to get it to get some sound but with that it’s too low and very noisy audio.

    I’m using a Nikon D750, would like to hear your thoughts on this

    1. Not sure. It’s not the quietest mic, for sure, as we said in our review but it shouldn’t be awful. That said, you are putting it into a DSLR and they are notorious for having dreadful audio pre-amps. Unfortunately, I am not familiar enough with the Nikon to offer any useful suggestions other than get the most out of the mic that you can and turn the camera’s input levels down.

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